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Fast Forward: How Do We Scale Up Carbon Recovery?

Making the leap from scientific innovation to everyday application is a process that often takes years.

“In a research lab, you start by working with a few grams of a substance, but to be able to see if an innovation is applicable at industrial scale, you have to scale up,” says Dr. Ayse Thomson, Engineering Physicist and the R&D Project Manager at the Cleantech Hub at UBC Okanagan. “That’s what we are doing at the Cleantech Hub: upscaling our research.”

Three particularly fascinating areas of research at the Cleantech Hub include:

  • Carbon recovery

You may have heard of carbon capture, which physically captures carbon from the air. Carbon recovery is different.

“The kind of carbon recovery we’re focused on at the Cleantech Hub is taking industrial waste, working with it and converting it into high-value, large-scale advanced products” says Dr. Thomson. “We develop cost-efficient and industrially relevant methods for upscaling processes.”

Used off-the-road (OTR) tires, particularly those from the mining industry, which are gigantic in size and difficult to recycle, are one area of Cleantech Hub’s carbon recovery focus. Because rubber burns, it cannot be melted down to be converted into something new the way some plastics can.

Instead, rubber requires a mechanical process in order to be recycled. Researchers at the Cleantech Hub are applying innovative technologies to produce recycled carbon black from OTR tires; as rubber reinforcements that would give it a second life as shoe soles or car tires, for example.

A third potential application for carbon black that Dr. Thomson says holds promise, is, of all things: batteries. 

  • Wearables

“With wearable electronics, we’re experimenting with embedding material into clothing that can receive information from the body, like the wearer’s heart rate,” says Dr. Mohammad Arjmand, Canada Research Chair in Advanced Materials and Polymer Engineering and Assistant Professor at UBC Okanagan.

There’s also potential to weave GPS into your running shirt, for example. But this particular technology poses challenges; the washing machine is one of them, everyday wear and tear is another.

“When you wear something, you can imagine that fatigue is a big problem, because you move around constantly. So if the material is not resistant to wear, after a matter of weeks it’s not going to be usable anymore,” says Dr. Arjmand.

“Performance durability is very important.”

  • Next-level 3D printing

Today, 3D printing offers almost limitless possibility—at home, in a lab, and even at Science World.

“A lot of our exhibits are extremely customized,” says Greta Burley, technical designer at Science World. “Some are one-of-a-kind, others were built 30 years ago and there are no plans for it anymore. So 3D printing allows us to create something entirely customized, like specific enhancements for our axolotl AxolotlThe Nahuatl-speaking peoples of Aztec discovered this amphibian that replaces entire limbs, organs and cartilage with zero scarring. They named it after their deity who changes form to elude death. Today, this critically endangered species helps medical scientists develop regenerative treatments. You can visit this Conservation Ambassador at Science world in Search: Sara Stern Gallery! Learn More habitat or interactive elements like our Story Stacker.”

(She also points out there’s a 3D printer Science World visitors can see in action in Tinkering: The WorkSafeBC Gallery.)

There is an emerging technology—and this, Dr. Arjmand says, is so advanced it is nowhere near ready for an everyday application—called 4D printing.

In this type of printing, time is the fourth dimension, meaning the thing that’s been printed will change over time when exposed to external stimuli such as heat.

“We could make the materials responsive to a change in the pH of the environment, or UV light or heat, so it would start to react to that stimuli,” Dr. Arjmand says. “We can make it smart and give it desired functionality for different applications.”


Curious for more science behind the technology of climate change?

Explore solutions for regenerating our planet on Change Reaction.

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Survivors

Artist: Jeff Kulak

Jeff is a senior graphic designer at Science World. His illustration work has been published in the Walrus, The National Post, Reader’s Digest and Chickadee Magazine. He loves to make music, ride bikes, and spend time in the forest.

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Artist: Jeff Kulak

Jeff is a senior graphic designer at Science World. His illustration work has been published in the Walrus, The National Post, Reader’s Digest and Chickadee Magazine. He loves to make music, ride bikes, and spend time in the forest.

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Artist: Jeff Kulak

Jeff is a senior graphic designer at Science World. His illustration work has been published in the Walrus, The National Post, Reader’s Digest and Chickadee Magazine. He loves to make music, ride bikes, and spend time in the forest.

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Artist: Michelle Yong

Michelle is a designer with a focus on creating joyful digital experiences! She enjoys exploring the potential forms that an idea can express itself in and helping then take shape.

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Artist: Michelle Yong

Michelle is a designer with a focus on creating joyful digital experiences! She enjoys exploring the potential forms that an idea can express itself in and helping then take shape.

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Artist: Michelle Yong

Michelle is a designer with a focus on creating joyful digital experiences! She enjoys exploring the potential forms that an idea can express itself in and helping then take shape.

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Artist: Ty Dale

From Canada, Ty was born in Vancouver, British Columbia in 1993. From his chaotic workspace he draws in several different illustrative styles with thick outlines, bold colours and quirky-child like drawings. Ty distils the world around him into its basic geometry, prompting us to look at the mundane in a different way.

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Artist: Ty Dale

From Canada, Ty was born in Vancouver, British Columbia in 1993. From his chaotic workspace he draws in several different illustrative styles with thick outlines, bold colours and quirky-child like drawings. Ty distils the world around him into its basic geometry, prompting us to look at the mundane in a different way.

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Artist: Ty Dale

From Canada, Ty was born in Vancouver, British Columbia in 1993. From his chaotic workspace he draws in several different illustrative styles with thick outlines, bold colours and quirky-child like drawings. Ty distils the world around him into its basic geometry, prompting us to look at the mundane in a different way.